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In an interview in Guitar Player back in 1984, Lukather explained the
practical utility of copying your masters: "The best way to learn how to play
rock and roll guitar is to copy people you dig. It is very valuable for a young
player who has just been playing for a couple of years to get that vocabulary
under his fingers, to understand wang bar tricks and how and why things work.
Just learn how to do it. Like Pat Martino said, 'Try to learn everything you
can, and then forget it.' Then just play your own stuff. Learning everything
from a book isn't going to do you any good. You need practical application of
what you learn. When you're out doing a top-40 club gig six nights a week,
three sets a night, and learn an Ozzy solo, eventually you are going to start
playing other stuff. You are going to start permutating those little things.
That's how you develop your style. I'm sure Carlton learned solos from old jazz
guys like Wes Montgomery. You can hear the same elements in everybody's
playing, everyone has the same blues vocabulary. But it's the vibrato and the
touch that makes the style. You develop what pleases your ear, and if you're
lucky, it will please someone else's ear."
Lukather stated more than once that he copied lots of masters to incorporate
their tricks and licks into his own developing sound and style. Music wise he's
interested in Miles Davis, The Beatles, Pink Floyd, John Coltrane, Herbie
Hancock, Joe Zawinul, Derek Sherinian, Edgar Winter, Fee Waybill, David
Garfield etc. and guitar wise in Jimi Hendrix, Jeff Beck, Joe Walsh, David
Gilmour, Larry Carlton, Jimmy Page, Steve Vai, Joe satriani and Micheal Landau,
just to list a few examples.
One of the best metaphors to explain how Lukather is handling his musical
examples is coming from keyboard player Derek Sherinian who worked with
Lukather on his album Inertia (2001): "What makes Lukather so great, is
that he can take someone elses piece of music, and make it sound like he has
lived it a million times, and plays a perfect track for you instantly. (Young
musicians, please re-read the last paragraph in case you missed that)."
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Steve Lukather
-
Walk this way
|
Toto
-
House of the rising sun
|
Toto
-
While my guitar gently weeps
|
Steve Lukather
-
Eleonor Rigby
|
Carlton & Lukather
-
The Pump
|
Derek Sherinian
-
Goodbye porkpie hat
|
Steve Lukather
-
Brush with the blues
|
Lukather, Steve
-
The pump
(Simon Phillips, Tony Hymas) ( Luke,
1997
)
|
Toto
-
Could you be loved
|
Lukather, Steve & Friends
-
Greensleeves
|
Lukather, Steve & Friends
-
Carol of the bells
|
Lukather, Steve & Friends
-
Winter wonderland
|
Lukather, Steve & Friends
-
The Christmas song
(Arranged by Larry Carlton & Steve Lukather) ( Santamental,
2003
)
|
Steve Lukather
-
The Christmas song
|
Lukather, Steve
-
Crescent
|
Toto
-
Watching the detectives
|
Los Lobotomys
-
All blues
|
Karizma
-
All blues
(Miles Davis) ( Cuba,
1989
)
|
Jeff Richman & Steve Lukather
-
Sledgehammer
|
Toto
-
Maiden voyage/Butterfly
|
Los Lobotomys
-
Little wing
|
Steve Lukather
-
Red house
|
Steve Lukather
-
All along the watchtower
|
Steve Lukather
-
Have you ever been (to Electric Ladyland)
|
Lukather, Steve
-
Hear my train a comin'
|
Schwarz, Siggi
-
Fire
|
Toto
-
Burn down the mission
|
El Grupo
-
I'm buzzed
|
Steve Lukather
-
Whole lotta love
|
Davis, Miles
-
Don't stop me now
|
Larson Band, Travis
-
People get ready
|
Steve Lukather
-
Price you gotta pay
|
Steve Lukather
-
Shine on you crazy diamond
|
Lukather, Steve
-
Hey you
|
Steve Lukather
-
I can't turn you loose
|
Donna Summer
-
Protection
|
Steve Lukather
-
Blue bird
(Stephen Stills) ( Luke,
1997
)
|
El Grupo
-
Birdland
|
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21 May 2008
E-Werk,
Cologne
(Germany)
22 May 2008
E-Werk,
Cologne
(Germany)
23 May 2008
E-Werk,
Cologne
(Germany)
24 May 2008
E-Werk,
Cologne
(Germany)
20 June 2008
Soenderborghus,
Soenderborg
(Denmark)
21 June 2008
The Train,
Aarhus
(Denmark)
23 June 2008
Tredgar,
Göteborg
(Sweden)
24 June 2008
KB's,
Malmö
(Sweden)
25 June 2008
Bern's,
Stockholm
(Sweden)
26 June 2008
Rockerfellers,
Oslo
(Norway)

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